13 August 2004

Cronenberg (1999-2002)

1999 - eXistenZ - Virtual reality infused with a dose of Cronenbergian surrealism -- that's the future of gaming I want to see. A human teeth-shooting gun made from the amalgamated bones of mutant amphibians taken from a dinner special in a restaurant is just about the coolest idea ever. The movie makes much more sense to me now that I've read a bit on existentialism.

2000 - Camera - Cute commentary on aging in the movie biz. From the eyes of an old actor, the energetic crew on a set must, indeed, look like children. Apparently, Cronenberg worries about aging these days.

2002 - Spider - Very, very subtle. Typically, a movie like this would be an energetic mind-screwer, bouncing from one point of view to another. Instead, it took me a beat to notice when Mrs. Wilkinson changed into Spider's mother, and a very long time to notice that his mother and the tart were played by the same actress. An incredibly interesting portrayal of schizophrenia from Cronenberg and Fiennes.

That's it! All finished. I'm now positive that Cronenberg is my all-time favorite director. I can definitely see a progression in his skill at his craft over the years. I'll be very interested to see what he does with A History of Violence. The comic was a good read, but I cannot imagine it as a Cronenberg movie. I wonder how his personality will shine through?

(comment in the main post)

31 July 2004

Cronenberg (1993-1996)

1993 - M. Butterfly - I'm not sure if this was an attempt to capture that ole Dead Ringers magic, but this film wasn't up to snuff. There are some interesting ideas in the movie concerning relationships worth pondering. And, I enjoyed the laying of reversals at the end of the film, but the journey there was uneven.

1996 - Crash - Going through the transformative process of a violent auto accident makes people with piercings and tattoos look like giant pussies. Cronenberg is at the top of his game again; he imbues even a minor piece of auto-culture like picking idly at a windshield sticker with brewing sexuality.

(comment in the main post)

26 July 2004

Cronenberg (addendum)

1989 - The Fly II (directed by Chris Walas) - Man, what an awful film. It was on the flip side of The Fly DVD, so I decided to watch it. It adds absolutely nothing to the first film, and spends most of its time treading over ground already covered. The last 20 minutes are nothing more than a boring Alien / Jason Vorhees riff in which people hunt the monster and the monster kills the people.

(comment in the main post)

25 July 2004

Cronenberg (1988-1991)

1988 - Dead Ringers - Maybe the most subtle of Cronenberg's film. Beverly is actually the stronger of the two after all. It is he who finally attempts to free himself of the "Mantle Brothers" mono-identity by latching onto Claire. Despite his addiction problem, it nearly works out when Claire returns, only for the weaker Elliot to take them both down by becoming an addict himself.

1990 - The Scales of Justice: "Regina vs Logan" - Boring and amateurish. Shockingly bad entry in the Cronenberg oeuvre. I can only hope this was made while he was distracted by his acting duties in Nightbreed. [Thanks to snoother for these two episodes.]

1990 - The Scales of Justice: "Regina vs Horvath" - Much improved over the first episode. The lighting and framing of the shots is much better this time. This story of "true Canadian crime" is more interesting due to a matricidal, deranged teenager and some philosophical discussion on hypnosis used in interrogation.

1991 - Naked Lunch - Stylish and surreal. The deeply buried story seems to me to be of a man coming to terms with his homosexuality while his friends allow him to wallow in addiction so he'll finish his novel. The repetition in Lee's hallucinations are fun to look and listen for: centipedes, "ambivalence," etc.

(comment in the main post)

10 July 2004

Cronenberg (1983-1987)

1983 - The Dead Zone – Stephen King's personality nearly overpowers Cronenberg's in this film. Still, Cronenberg shines with the brilliant casting of Christopher Walken and the eliciting of some damn-fine subtle performances. I never noticed before that Johnny was intended as a Christ-figure, but it's incredibly blatant during the climax.

1986 - The Fly – Some criticize this film as "too commercial." Whatever its popularity at the box office, this is a classic Cronenberg movie concerned with flesh, machines, and their interactions in the future of human development. This also has to be one of the gorier movies ever released by a major Hollywood studio.

1987 - Friday the 13th: The Series: "Faith Healer" – Investigating the disease theme once again, this is a rare Cronenberg story in which the corruptive force is magic, rather than science/technology/biology. I was pleased to see Cronenberg regular Robert A. Silverman in a starring role. It was great to see the focus on the guest stars instead of the main characters; I could almost feel Cronenberg's boredom when we were forced to check in with youngsters Micki and Ryan for the sake of the series.

(comment in the main post)

28 June 2004

Cronenberg (1980-1982)

1980 - Scanners – It's cool to see the theory discussed in Stereo actually get applied in real situations. I've seen this movie a number of times, but this is the first time that it occurred to me that Cameron is not "the good guy." He's the strongest scanner in the world, yet only bothers to prevent himself and his girlfriend from getting shot; everyone else dies. I don't think he really cares about anyone but himself, even if he doesn't realize this consciously.

1982 - Videodrome – Probably the quintessential Cronenberg movie. What's amazing, also, is that this film could be translated into the Internet era and work just as well. One minor example that struck me was when Brian O'Blivion mentioned that everyone in the future will have a television identity -- and we do, online. I can't wait to listen to Cronenberg's commentary on the up-coming Criterion release.

(comment in the main post)

26 June 2004

Cronenberg (1978-1979)

1978 - Fast Company – A perfectly sturdy exploitation/drive-in movie that captures the world of drag racing in great detail. I'll be damned if I can detect any of Cronenberg's personality in this movie... other than his love of cars, of course. A continuation of "The Italian Machine," I think.

1979 - The Brood – Psychoplasmics: expunging mental rage through your own flesh. There's only one director who would ever create such a film. As well, it's not easy to make children seem scary, but Cronenberg more than handles the challenge.

(comment in the main post)

24 June 2004

Cronenberg (1975-1976)

1975 - Peep Show: "The Lie Chair" – I have a feeling this was just a paycheck. A bad Twilight Zone story married with some pretty bad lighting. There were a few specks of gold, like the random fascination with safe-cracking.

1976 - Teleplay: "The Italian Machine" – This didn't feel like a complete story; I wish it were longer. It had some great, great characters in it. There are hints of Cronenberg's machine-flesh obsession as well, particularly in the art collector's taste in art.

1976 - Rabid – This is probably the world's first stem cell horror movie. I like how subtle the cause for the disease was. There's no big revelatory scene near the end of the movie where the protagonist figures it all out; the audience has to put the pieces together themselves. Plus, a porn star raping people with a combined penis-anus in her armpit is always an interesting idea to throw in a movie.

(comment in the main post)

23 June 2004

Cronenberg (1970-1975)

1970 - Crimes of the Future – Same vein as Stereo, but this time focusing on the body instead of the mind. You can see the "King of Venereal Horror" being born on screen before your eyes as Adrian Tripod licks the foam from an infected man's ears. The man who continuously grew strange, new organs with no discernable purpose was a sort of throw-away idea in the film I wish was explored more.

1975 - Shivers – The venereal disease theme continues in Cronenberg's version of a zombie movie. Visceral horror with a shallow-buried social-sexual commentary is always a treat. Sadly, it's very clear from numerous abrupt edits that this film was chopped to hell in order to achieve an "R" rating for the States.

(comment in the main post)

21 June 2004

Cronenberg (1967-1969)

Last night, I started my Cronenberg Chrono-Marathon: I’m going to watch all of his movies in chronological order during the next few months. Of course, I don’t have everything (as far as I can tell, most of those 70s Canadian TV shows are unobtainable), but I’ll work with what I got. Mini-reviews for what I’ve watched:

1967 - From the Drain – Nearly unwatchable copy courtesy of the now-defunct Cahiers du Cinema website. Typical college short with a goofball flair Cronenberg doesn’t let show too often. Due to my copy, I couldn’t tell if that was a closet full of shoes at the end. If so, the film has the standard sci-fi ending of "this is all part of a terrible cycle."

1969 - Stereo – I can see how it would bore some people to tears, but I found the social science textbook-style dialog to be fascinating, especially considering it was all about a made-up subject. This is also clearly a proto-Scanners: telepathy as a connection of nervous systems, drilling a hole in your head to relieve psychic pressure, a secret company training/studying the telepaths...

(comment in the main post)

27 September 2003

Six Weeks of Halloween: 2003

Six Weeks of Halloween
2003
Six Weekends of Movies:
  1. September 26th
  2. October 3rd
  3. October 10th
  4. October 17th
  5. October 24th
  6. October 31st

What's This All About?

I love Halloween. A lot. But, as only one night of the year, it's over rather quickly. To solve this problem, I'm going to make this holiday six times longer than normal: I'm going to celebrate six weeks of Halloween.

On one night -- Friday, Saturday or maybe Sunday night -- for each of these weekends, I'm going to watch two or three or four movies from one of the chosen themes (see below). More than likely, I will also drink beer and eat candy as this happens.

So what? Well, other folks are more than welcome to come to any or all of these six movie marathon days. You can also partake in beer and candy... just like me! Should other people want to come, the theme of the weekend can be voted on, as well as which of the movies from that theme we'll watch. My recommended choices are the ones with pictures (see below).

Special Exception: On Halloween night itself, my only definite plan is to watch John Carpenter's Halloween, as I do every year on that night.
Themes

The Horror Films of Michael Moriarty
Michael Moriarty is a great character actor, and -- on most accounts -- a crazy mother in real life. These first two movies are by NYC indie god Larry Cohen. The last... well, it's supposed to be something.


Italian Horror
This is a mix of Dario Argento and Lucio Fulci movies: Italy's two most famous horror maestros. Suspiria has been called the Citizen Kane of horror, though Wells's movie never had a rock video by Goblin to go with it.


Asian Horror
The Eye comes to us from Hong Kong and is one of the recent "this is fucking scary" films from Asia to make it big here. Evil Dead Trap is an example of Japanese "New Wave" horror. What I wrote about The Eye also probably applies to Ringu, the original version of the film that was remade here.


Watched: Week 1 - The Horror Films of Christopher Walken
Better than the USA TV series is 1983's Dead Zone, the quintessential Walken film. Communion is a surreal alien movie based on nut-case Whitely Strieber's fascinating book. In The Prophecy, Chris is a badass angel. Nuff said.


Serial Killer
Rutger Hauer is a psycho in The Hitcher. Nuff said, again. Henry is the best serial killer movie ever made. Period. M is the first serial killer movie ever made, from Germany.


Watched: Week 4 - The Horror Films of Stuart Gordon
Stuart Gordon has the ability to make great movies out of Full Moon budgets. Castle Freak and Re-Animator also feature cult actor Jeffrey Combs.


The Films of David Cronenberg
Cronenberg is a fucking genius.

In Space!
The weirdest trend in modern horror is to put an aging slasher franchise in outer space. But, damn, does it make some funny movies.


Watched: Week 5 - Vampires
The Spanish version of 1931's Dracula is supposed to be superior to the Browning/Legosi version. It was filmed at night, using the same sets as its more famous brother film, but with different actors and a different director.


Watched: Week 2 - Comedic Horror
In Killer Klowns, a shadow puppet kills someone. Yep.


The Films of Clive Barker
Despite greater-than-normal studio meddling, Clive manages to produce some frickin' cool movies.


Under-Appreciated Slashers
A slasher flick is, I think, a horror movie in its purest form. Sadly, even amongst fans of this sub-genre, some gems are ignored or out-right hated for little reason. But, the unexpected homoeroticism of Elm Street 2, the uber-goofy rocker/killer/drill-owner of Slumber Party II and the tightly crafted, yet direct-to-video goodness of The Dentist deserve to be appreciated more than they currently are.


Watched: Week 3 - The Films of John Carpenter
I have come here to chew bubblegum and kick ass. And I'm all out of bubblegum.


Watched: Week 6 - My Choice
My choice for the night.
Pre-Movie Toons